Friday, 16 December 2016

Happy Birthday Miss Austen (can I call you Jane?)


Hello hello. 

On this day - December 16th - 241 years ago Jane Austen came into this world. Like me a second daughter born on a Saturday, (not that I'm desperately looking for a connection with her, and not that I was born to George and Cassandra Austen). 
35 years later in 1811 the first of her novels was published (Sense & Sensibility) and then within just six short years all of her completed novels had been published. Six years!! All of those icons of English Literature, all of those stories which have given millions of people pleasure ever since - made their way into the world in just six years. 

That same year, 1817, aged only 41 ... she exited this world leaving behind both a legacy she could never have dreamt of, and her stories. Thank goodness she left behind those stories.  
I can remember the first time I read any Austen; it was in the first year of my English Literature degree, it was Emma, and from the moment I'd dived into it I wondered how I'd managed to reach my twenties without reading her until then. 

I'd never had to read any in school and, during the 90s - a period of many well known adaptations - had also bred a lot of Austen parodies which coloured my perception of her. All I really knew about the stories was that comedians portrayed them as frivolous, a little bit ridiculous, with plots and characters to be made fun of. So when I had to read one I thought I knew what I was getting ...

... how wrong could I be? 

The biggest revelation was ... she's bloody funny! 

Those parodies that present her work as laughable don't seem to acknowledge that she was actually intending to be funny. 
  • She's the one making the sharp observations, 
  • she's the one skewering pompous personalities with her pen, 
  • she's the one who knows exactly how to draw out character flaws.
If, like me back then, you haven't read Austen because you think it's going to be like the parodies ... can I gently suggest give it a try? Can I persuade you ... (see what I did there?)

American book cover Persuasion by Jane Austen

Yes, of course it's like the parodies in some ways, yes of course people go to society balls a lot, and of course there are always happy endings but ... honestly ... Austen's writing is there to laugh along with not at. 

Oh and, if you've avoided her because of the criticism that she only wrote about domestic life - rather than anything on the world stage (she was writing while the Napoleonic wars were taking place) ... then, please ...

... we've heard enough stories of 'Great Men' from history, and there are plenty of other narratives that can give you a sense of the past. Ditch the men of statues and portraits for a few hours and treat yourself to some time in the intimate, brilliantly observed, company of Austen's women.

Some Austen-alia to look forward to:

I probably should have turned around, with my iced bun in my hand, and told her that Jane Austen is not just any 'woman' ...

Happy Birthday Jane!

Julie x


p.s: 

Sunday, 11 December 2016

The Snipped Tales have landed! You can now buy my book of collaged short stories.


Hi you. 

Remember when I said that this whole publishing process wouldn't make sense until I could hold my book in my hands and hand it over into yours? 

Well ... suddenly it all makes sense (well, we all know there was nothing particularly 'sudden' about it!) ... because they're here. And here you go ...
At some point, when I've had more sleep, and when my adrenaline levels settle down, I'll share more about it here. But, until then, you can read about - and buy - the book (with its one of a kind gift tag) here in my Etsy shop.

While I've been writing this post I sold my first copy. So, I guess it's really happening now!

See you soon.

Julie


**You can buy a copy of 'Snipped Tales' here*. 



Friday, 2 December 2016

Snipped Tales: What to expect from each chapter, plus a peek at some of the pages


Hello you. 

There's a rumour ... that my book might just be ready next week. (Edited to add: the book is now available here).

But who knows? It's entirely beyond my control now (just imagine how that's making me feel ... ). I can only sit and wait patiently (you know the 'patiently' part is a complete lie right?), and try to answer people's questions when they ask when they can buy the book. 

But, if we're going to trust that that everything will run smoothly, then we have to believe that this time next week I will have the shelves of my shop stocked with Snipped Tales books! And so it's about time I gave you chance to look inside. 

  • 69 tales pieced together from the pages of dozens of old books.
  • new narratives constructed from lines and words from existing ones (everything from kids' Christmas annuals to books covering history, medicine, 1950s DIY advice and gardening tips).
  • a colour photo reproduction of the tales exactly as they are in the pages of my notebook. (That particular notebook was a gift from a friend and the cover appropriately reads"If you want to be a writer, write" - which I have ... with a little help from several pairs of scissors and handful of glue sticks).
Unlike if I had a taster of a 60,000 word novel to share, at only a page long each, it's almost impossible for me to offer you a flavour of these short short stories without giving you the whole meal, dessert and the bill in one go. But here's an idea of what the book pages will actually look like:  


When I was creating these graphics the images were larger and you could actually read snippets of the stories ... it's not that I'm trying to hide them that much -but something got lost in re-sizing! So apologies if you're straining your eyes. (For larger versions head over to this post on my Facebook page.)


Here's something a bit easier to read ... 

I didn't write any of the snipped tales 'to order'; I never deliberately set out to write about a particular topic; I would just sit surrounded by paper until something bubbled up, then I'd grab it, cut it free and offer it a new life inside a new turn of events. 

However ...

 ... once my notebook was full I realised that the jumble of disparate moments I'd created could actually be organised into smaller collections each with their own broad overarching theme. 

I noticed that among the ad-hoc, willy-nilly, serendipitious, 'where the mood strikes'stories, there recurred distinct subject matters and attitudes, with similar emotions and topics cropping up again and again, and after much shuffling and rearranging these broad themes became the book's seven chapters. 

Contents:

  • Chapter 1: 'Being Human' offers ... safe harbour to the vulnerabilities of being human. Its tales touch on inner conflicts, battles in our own brains, the difficulties of caring for others and the need for self-care. 
  • This is the chapter to read when ... you're wondering if it's just you. It isn't. 
  • Chapter 2: 'A Life Documented' offers ... a glimpse at the motivations, misfortunes and meanderings of someone else's existence. Find out Margot's back story, hear what the rich young man left behind and sympathise with Anne's crafting calamity. 
  • This is the chapter to read when ... you fancy walking a page in someone else's shoes, trying on someone else's perfume ... trying on another life to see how it fits. 
  • Chapter 3: 'I'm Just Saying' offers ... an opportunity to vent your frustrations and allow your sarcastic self to come out and play. A chance to snarl, snipe, lash out, and get it all out of your system! 
  • This is the chapter to read when ... you've been far too polite for far too long. Take inspiration from Sarah ... and start sharpening your claws ... 
  • Chapter 4: 'Brief Encounters' offers ... a judgement free zone to indulge in your romantic side. Get swept into the whirlwind of attraction, embraces, pledges ... but hang on to your tissues because there are things left unsaid and missed connections along the way too. 
  • This is the chapter to read when ... you're all out of Jane Austen. Either that or you want to know the final straw that made Benedick realise his relationship could go no further and why Joan doesn't consider Fred 'marriage material'. Poor Fred. 
  • Chapter 5: 'Oh My!' offers ... something a bit fruitier than Jane Austen! Something sexy, seductive and provocative; something saucy, and sea-side postcard-ish. 
  • This is the chapter to read when ... you've run out of shades of grey. (Side note: this isn't a chapter for kids. Unless you want to explain the phrase 'naughty dungeon' to them over breakfast.) 
  • Chapter 6 : 'Minor Mythologies' offers ... the tallest of the tall tales in the book. It's a chapter of fairytale flights of fancy, moments of magical realism and seriously surreal happenings. The stories herein are performed by a cast which includes a chorus line of animals, winged middle-aged men, Humpty Dumpty ... and dragons! 
  • This is the chapter to read when ... you need a departure from the realities of regular, daily living. And if ever there was a year that needed escaping from ... 2016 was certainly it! 
And finally, once you've made your way through those 6 chapters ... refreshments will be served at the end. 

No, really ....
  • Chapter 7: 'Refreshments Will be Served' offers ... you the chance to eat, drink and be merry before you close the book and head back out into the world outside Snipped Tales. Whether you've an appetite for a glass of wine after a long week, or beans on toast, or afternoon tea or one of Sally's biscuits it's all on the menu in this chapter. (Although, when you find out where she keeps those biscuits you might reconsider.) 
  • This is the chapter to read when ... you're trying to decide what to have for dinner. 'Today's Special' has some great suggestions, anyone for 'rich organic elk poached in a light tetanus serum'? No?
As far as possible each chapter begins with some of the more serious, thoughtful tales  ... and then drifts gently into lighter territory, where the more surreal, humorous, or tongue-in-cheek tales hang out. (And in the case of chapter 5 that tongue might even find itself in someone else's cheek.)

So there you have it - 69 tales, 7 chapters, 1 book. 

A book which hopefully will finally find its way into readers hands sometime this month. (I really wish they hadn't used the word 'hopefully' - twice - when I last asked when it would be ready ... but I must stay positive!.)

This whole process won't make any sense until someone else reads through these scrappy little stories of mine and finds one that speaks directly to them. One that makes them laugh out loud. One that takes on a new life inside their imagination.

Because I already know what they all say. I already know what they all mean to me. I already know that some of them still manage to make me laugh, or give me a pang of empathy, even though I created them. 

I now need someone else to open the book ... and get to know it for themselves.. 

------------------

I really would LOVE to hear which of the 7 chapters you're looking forward to reading first.  
  • Is it the fantastical adventures you're after? Or the romantic encounters and the sexy times?! 
  • Or - if all of that sounds too exhausting - would you prefer to indulge in a spot of introspection, while noseying into other people's lives while mumbling your frustrations into your tea and biscuits?
And - to be clear - yes, I will totally be judging your personality depending on your answer! Of course I will!!

Leave your revealing comment here or get in touch via Instagram, my Facebook page or on Twitter.

More news when I have news. (Snipped Tales is now available here.)

Julie ;-)
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Monday, 14 November 2016

Snipped Tales: book cover and blurb reveal.


Hello hello. 

You know that time, a few weeks back, when I asked you to just give me a vague, non-committal, mumble if you thought that maybe, perhaps, there was a chance that you might, possibly, at some point, consider buying my book of Snipped Tales? Well, thank you, so very much to all who responded; it really helped me decide how many copies to print. 

Not that I ordered the exact number of copies I knew I could sell. No. I ordered far more than that! 

There were several reasons for that, one may well be that I'm a dreamer, but another was definitely more down to earth: the financial logistics of it. I won't go into details - unless I ever create a workshop for self-publishing-virgins someday - but there were a lot of calculations happening behind the scenes regarding costs, print prices that scaled, and profit margins. And, of course, all those calculations depend upon selling all the copies .... and yet ...

I decided to invest heavily in the project for one simple reason, a simple reason I'd very nearly lost sight of until James stopped me mid-meltdown and asked: 

"What do you want out of it all? Why are you doing it?" And it was like a break in the clouds, and I remembered:

I just want people to find the book. I want it to find the right people. I just want other people to have it their hands. 

(BTW: I can barely talk about the book without making a gesture like I'm holding an invisible book in my hands and am about to hand it over to someone else. Here, take this.)

And that was that, the minutiae of profit percentages and commission rates etc were pushed aside; and the decision to just go for it was made. And there's no turning back now, it's been sent off to the printer's, it's very much out of my hands. Then when it's finally in someone else's hands, yours perhaps, this is what it will look like: 
A papery bundle tied up with string, ready to be handed over to you to open up for yourself.  And if you flip it over you'll find this description:
The human experience and countless old book pages find themselves dissected and reshaped in this patchwork anthology of collaged fiction. 
Though short these tales make room for the awkward to feel understood, the quiet to speak out, the frustrated to vent, the weary to rest and the romantic to woo. Not to mention finding space to pitch battles against conformity, dangerous urges … and dragons.

Take a journey in small steps to discover what gets left behind at the Lost Property Office, where Sally hides her biscuits, why Fred and Joan weren’t a suitable love match, and how Casanova fills out his online dating profile.

Moving from reflective and poignant to mischievous, seductive, and surreal, this is storytelling to delight, console, and remind us that there’s never only one way to tell a story; you can always slice up the old one and start again.
Maybe that helps give you a clearer idea of what you can expect to find inside? I hope so. And actually the cover itself actually holds clues to the topics that appear in the tales; everything from thinking a lot, to eating, reading, loving, and breaking things. Quite literally the story of my life, probably yours too.

In the next book-themed post I'll reveal all the chapter titles and a little more about the structure of the book (if you follow my Facebook page you'll have seen one of the chapter titles already, last week.) and it should all help build up a clearer picture of what's on its way just as soon as it arrives back from being printed!

So, now you've seen it, what have you got for me?

  • Reactions? (Are you swooning over Kirsty's lovely illustrations too?) 
  • Excited squeals, jigs, waving jazz hands? (Just me?)
  • Questions? (Anything you want to know about the book? Anything at all?  Anything about the cover, the contents, the process, ... I'll do my best to answer.)

Leave a comment here, shout, pass me a note, tug my sleeve as I pass by, email me at withjuliekirk (@) gmail.com (remove the brackets!) or get in touch via Instagram, my Facebook page or on Twitter

Do whatever;'s easiest, but do speak booky to me! 

Julie x

Thursday, 10 November 2016

My real life Northanger Abbey adventure: one night, alone, in Wilderhope manor house

“There’s only supposed to be one ghost there” he said, really selling the idea to me, “And that one’s only a horse.”

Which is how I came to accept James's offer of spending the night in a 16th century manor house in the middle of nowhere.

An empty 16th century manor house in the middle of nowhere that is. Let’s not forget the empty, uninhabited, no one else around, me and him as Lord and Lady of the Elizabethan manor, part.

The manor in question was Wilderhope Manor House in Much Wenlock, Shropshire: 
Wilderhope. Wilder. Hope. Such a great romantic name. Beats Rochester's Thornfield Hall and Heathcliff's Thrushcross Grange any day.  
But then again, I'm a Jane Austenite rather than either a Charlotte or Emily Brontephile and, trust me, the plot of Austen's Northanger Abbey - where the young heroine, carried away after reading gothic novels, ends up sneaking about the old house looking for proof that her host murdered his wife -  was never far from my mind while I was packing for the trip. 

So much so that I took my copy with me:
That said, it was more in true Bronte's Jane Eyre style, that we were visiting Wilderhope: as paid workers and not as a well to do guest (well, James was being paid - I came along for the experience and the story I could spin afterwards. This story.) We were less Lord and Lady of the manor and more 'two servants left behind to look after the place over winter'.
We stayed in a room on this side of the building. We know our place.
Although, thankfully, unlike Bronte's plucky little governess ... I didn't have my sleep disturbed by the mad woman in the attic ... nor, as it turns out, by the ghost of any horse.

Ah yes, about that horse ... 

The story goes that during the English Civil War the owner of the manor at that time, royalist Major Thomas Smallman who was carrying important documents, was fleeing some of Cromwell's troops and, rather than allow himself to be cornered by them, he galloped his horse, and indeed himself, straight off Wenlock Edge and while he survived the 200ft drop by grabbing on to something ... the horse didn't. And frankly, after that, who'd blame the horse for coming back to haunt him?

The place where it all went down (sorry about the pun dear ghost horse) is now known as Major's Leap and it wasn't until we'd chosen a room in which to spend the night that I noticed we'd picked the one next to it's namesake. Which was ... comforting ... :
A room which, by the way, was accessed via an original spiral staircase, with original 1580s steps of solid wood. A staircase which I could hardly ever climb without hearing a line from a song about the ghost of Anne Boleyn my Grandma used to sing "With her head tucked underneath her arm, she walked the bloody tower". Now just you sing that to yourself while you play this:

So, why were we there walking up 430 year old staircases and trying not to think of ghosts in the first place? 

Well, like I say, it wasn't because James rented out the entire place in order to satisfy any Jane Austen heroine fantasies I might have. Rather James's company was hired to carry out some repair work in the building (which actually now runs as a Youth Hostel - rather than a fancy manor house hotel) and, after seeing online images of the stunning location ...
.. and idyllic setting:
... he decided that he'd leave behind the office job for a few days and tackle the work himself rather than delegate to someone else. So, before you get too jealous of the amazing opportunity we had, here are some of the behind-the-scenes realities ...

There was real, unromantic, work to be done (for one of us at least, although I did do my fair share of tidying and assisting): 
And then there were the rubber covered mattresses (no judgement here if that's your kind of thing) which we later covered with the bed linen given to us by the employee who was working there during the day; luminous green bedding or, as James put it, "the colour they thought was least likely to get stolen."

Our room was called the Wren's Nest and was fittingly small and cosy enough for just the two of us. There was no way I could have slept in any of the larger dormitories ... too much open space tricking my mind into seeing things that weren't there or, worse still, that were there! 

If you're feeling brave, how about I give you a tour of the manor? 
I'm pretty sure there weren't any ghosts there (but if you spot one in my photos, just keep that information to yourself!) Right then, here we go ... 

While James was working, I sat in the dining room: 
Where I could admire its original plaster work ceilings:
When I wasn't tidying up or making tea for the worker here's where I sat.
I nestled myself in the corner, on my own, with a novel to read and a notebook to scribble in: 
But it was hard to keep looking down at those when I could so easily look out and try to imagine all the other women over centuries, who've looked out over the same landscape, through the same stone window casement:

I wonder how they were spending their days while their menfolk went about their business?

As the afternoon drew on, the sky darkened (goodness you don't realise how dark 'dark' is until you're away from ubiquitous street-lighting do you), James finished up one of his tasks, and the building's employee finished her shift, gave us the door code ...

... and then we were left alone. Entirely alone.
To be honest I was more afraid of a living human dropping by, disturbing our peace, than I was encountering anything more spectral. My mind raced as to what we'd do if someone came knocking, what if some cold, stranded, traveller like Mr Lockwood in Wuthering Heights wanted us to let him in? (Over-active imagination? Who? Me? I told you I felt kinship to Catherine Morland in Northanger Abbey!).

Once all the work was finally complete we put on some atmospheric lighting and ate tea in the dining room:
Not quite an Elizabethan banquet but our Ye Olde Microwave Ready Meal filled a gap:
And, fortified by food and drink (a strong cuppa ... we weren't drunk in charge of a manor house) we investigated more of the building including the 'bridal suite' at the very top of the house ... and even the basement at the very bottom:
Forgive the blurry photo either the camera was struggling with the light levels ... or I was just really nervous.

And after all that excitement, and after a long, long, day of driving and working we were ready for bed (note the luminous green bedding James is holding here):
But before we turned in we each nipped outside (taking turns to hold the door so we didn't get locked out!) to look at the stars twinkling their whiteness against the silky black sheet of the sky. We headed up the servant's stairs to the Wren's Nest, read a few chapters of our books and slipped into sleep.

At 7am the next morning the gifts of this location kept on giving:
We woke up, just the two of us, in an Elizabethan manor house. An Elizabethan manor house bathed in the glow of a beautiful pink-burnished morning:
A pink-burnished morning with frost-dusted fields and chattering pheasants.
Some experiences money can't buy and, in this case, it hadn't even tried to. This experience was simply the gift of providence, of good fortune, of being in the right place talking to the right people at the right time. Of being willing to embrace an idea, to go, to do, to stay for under 24 hours and then to turn around and come home again. 

But, as brief as our stay may have been, there's no taking away from the fact that for one night in its 431 year history ... James and I were the sole residents of Wilderhope Manor. 

-------------------------

If you enjoyed your visit with me and the manor today I'd love to hear from you. 

Let's chat all things Austen / Bronte / spooky / over active imagination-related either here in the comments, over on Instagram, my Facebook page or on Twitter

Julie :-)