Hello, hello.
It's been
over a year since I shared one of these photo step-by-steps [there must be a BIG
secret cupboard somewhere where all the
time goes because I don't know where it went ... ] and so, as I've had a little breathing space this week, I felt it was about time I share another!
My earlier step-by-steps can be found here:
.. and they're some of the most popular, most visited and most commented upon posts I've created .... so I really hope this new one find the right people once again.
THIS TUTORIAL IS FOR YOU IF ...
- you'd like to try out a new creative outlet that doesn't involve investing in expensive new supplies
- you've been thinking of trying out art journaling but don't know where to start
- you've seen some amazing finished art journal pages and are now afraid that it's a dark art ... that there's a great artistic mystique to it, that it's not for you
- you're at your best when you can break down a technique into manageable chunks [perhaps due to time, physical or psychological constraints]
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When I'm not attending a class or experimenting with any new techniques I tend to revert to
two styles of Art Journaling which feel most natural to me:
- One of these relies mainly on layers of paper and collage elements ... which is the style I find easiest to work on while curled up on the sofa in front of the TV!
- Meanwhile the other is the one I turn to when I have more time to play - and when I'm sitting at a safe distance from anything I can stain .. and this one involves more paint, sprays, stamps, masks/stencils and general messiness!
And that's the one we're going to lift the lid on today ... so be prepared to get a little inky with me ...
THE FINISHED PAGE - 'Pain Has a Thousand Faces':
It's always a leap of faith when I decide I'm going to take step-by-step photos of a process ... as I've absolutely no plan and no idea as to how the finished thing will turn out! My biggest fear is always that after putting in so much time into stopping and starting to take the photos as I build the page ... that the end result won't be worth it!
And, if I'm honest, there were a few stages of this page's development where I really just wanted to close the book and forget all about it. But ... I persevered and am fairly happy with it now.
Happy enough to make a full tutorial from it anyway!
And, if nothing else, it affords me the opportunity to share my own creative insecurities with you ... so hopefully, even if you've been unsure of making a start, you might feel more able to give it a try yourself!
Here goes ...
STEP 1: Spritz a blank page using spray ink + a mask
You don't have to have any special stencils or masks for this step.
The grid I've used here is just a section of cheap
plastic embroidery canvas and it's one of my
favourite ways to add patterns to my pages. I spray through the grid then flip it over and press the reverse pattern on to the page.
Alternatively you can try sequin waste, cheap alphabet stencils, lace, the surrounds from sticker
sheets and chipboard letters ... anything which you don't mind getting ink on in fact!
STEP 2: Squirt a light shade of acrylic paint directly on to the page and spread it around the edges
I have a thing for white, off-white and cream paints - I always find they come in useful for both a base layer and also on top - when the page might need a few highlights.
I know there are lots of quality paints available - and undoubtedly they each serve a purpose - but, for me, when I just want to add colour and mess around, when there's no great need for the paint to do anything specialised ... I'm happy to buy the cheapest
general craft paint I can find.
My sponge is actually
Cut N Dry foam which I use with all my ink pads, spray inks and paints.
STEP 3: Add scraps of patterned paper using a gel medium [or PVA/white glue if you prefer]
Any scrapbookers and cardmakers amongst the wannabe art journalers take note: your existing stash will combine perfectly well with your new hobby so there's no great need to buy lots of new supplies*. [* rest assured that this isn't to say you're not
allowed to go and buy more if you so wish!]
Whenever I mention that I use
gel medium I get asked [a] if it's necessary and [b] where to find it and so ...
[a] It's up to you, but personally I find gel medium is smoother and easier to spread than sticky white glues like PVA. And it definitely sticks firmer than just a glue stick.
I tend to spread it not only on the back of the items I stick down but also over the top as a way to 'seal' it and to really flatten out any curling edges.
and [b] it's often sold next to tubes of artists paints in art + craft shops. Mine came from my local Hobbycraft.
STEP 4: Add more stencilled designs over and around the scraps of paper
STEP 5: Add more paper scraps in a nice flowing arc ...
Do you have a pile of
old craft magazines lurking in your attic? The kind that included
pull-out patterns for embroidery designs and so on? Or do you ever spot any old issues in charity shops or car-boot sales etc?
Well next time you come across one have a look inside for those pattern sheets because - while you may not want to make the project they're from - they make really interesting background designs and textures on your mixed-media work! That's what I've used here:
STEP 6: Stamp general / abstract / background designs around the edges of the page using a similar shade of ink* to your background colours [*thanks to
Kate Crane for that top tip!]
When you've stamped the design once -
there's no need to ink up the stamp again - just keep pressing the stamp down until all the ink has gone. This way your stamped design moves across the page with subtle changes in the depth of colour throughout.
I used the
Infocrea 'Abstract' stamp set above and again here, this time in a light yellowy-orange to compliment my existing shades of green and blue:
Can you see how there's a real depth of layering appearing now? This is when a background can really begin to come to life. When it stops feeling like an anonymous bare canvas and starts to look ... dare I say it ... like
art!
However ...
if you've gone a little too far with any of this layering at [for example here I stamped in a grey that came out drab and dark and I just didn't like it] then DO NOT DESPAIR!!
You can always ...
STEP 7: Assess areas of the page that would benefit from some white paint or Gesso to brighten them up / hide mistakes!
Just use a glue spreader, scrap of plastic, sponge, paintbrush .... or finger .... until the background feels bright again. Now you're ready for a focal point ...
STEP 8: Browse through old books, magazines, junk mail, leaflets, catalogues etc for an interesting image
or
better still create your own Frankenstein image from a combination of a few! This is absolutely one of my
favourite favourite parts of the process!
Here the body of the fish came from an old children's' encyclopaedia and the mannequin head came from a promotional postcard for an opera that fell out of my weekend newspaper supplement ages ago [I'd been hoarding it safely ever since!]
Use gel medium again to fix it to the page.
STEP 9: Unscrew the nozzle from a bottle of spray ink and tap it so little drops land on the page
I've used a silvery black shade here to introduce a dark shade to balance the colour of my mannequin image. But, as the drops of ink are so small [and as I control how many I add] I know it wont 'dirty' my page as much as if I stamped another design with a black ink pad or something like that.
STEP 10: Sift through a variety of old book pages until a phrase or two finds you - then cut it out
I'm a firm believer that the right words find
you. You don't find
them.
Take inspiration from the image you chose - let your mind wander to what it represents to you - or what it
could represent if you let it ... and just skim read through your pages. Then inevitably something leaps out at you and just feels appropriate for that page.
Small confession: I selected the phrase below
before I selected my focal image and instead
browsed for images I felt could represent
it. But whichever way around you do it image then wording / wording then image ... it's when they work together that your journal page will gain a cohesive narrative. Tell a clear story.
Oh and ... I absolutely love to combine phrases which have come
from widely varying original sources.
The phrase above was a chapter title from a medical research book while the snippets below are taken from a 1960s novel for teenage girls and a kids' annual:
I'm currently working on a series of 'found' poems / short-short stories using this technique and - while it's a little scary to feel this way - I think I might have just landed upon my 'thing'. The technique that feels 'right'. The one I can see myself doing for a long time ... and it's exciting!
Anyway ...
...if you can't face cutting into a book yourself or you'd like some 'new blood' to add to your old paper collection then have a browse around
the Plundered Pages section of my shop.
STEP 11: Assess if the page needs a final splash of colour. Like neon green. And if it does ... then splash it on!
Using my old faithful
Lost Coast Designs 'Zebra Stripe' border stamp I livened the page up a little as it was beginning to feel quite 'safe' and flat. But, as I didn't want to ruin the entire colour palette I'd created so far, I again paid heed to that tip of using an ink pad in a similar shade. Albeit in neon this time round!
And I was
much happier after that zesty colour boost!
As you can see I stamped
over the image in places - just to help it settle down into the page so it didn't feel too free-floating.
Or free swimming.
Or however a half fish / half mannequin would sit on a page!
STEP 12: Add some 'journaling' ...
Now for the big question people ask about art journal pages:
do I really have to write on them?
To which I'm going to reply ...
- Nope. It's entirely your call. You're a big girl/boy now [most likely bigger than me] so I'm not going to force you to do anything!
- I hadn't intended to write on this page at all
- I wasn't entirely sure where the feeling behind my snipped phrases had come from [like I say - it found me] and so I wasn't sure I had anything to add anything right at that moment however ...
- I left it overnight and, when I came back to it the following morning I was reminded of a quotation that just seemed perfect for it. So I added that, by hand, around the outside edges:
And, to save you scrolling back up ... here's the end result once again so you can judge how those 12 steps mounted up to a finished page:
So, what do you think?
Does art journaling feel do-able yet?
Has it helped you break down what a page can consist of?
Are you relieved to learn that white paint is the enemy of mistakes?
Do you see how there's no 'right' way to begin ... or to continue ... but that you just keep adding and tinkering and browsing?
I'd love to hear your feedback
so do leave a comment here with any thoughts, ideas or questions [I can't reply directly through my comments - but do try to answer people's queries in one way or another!]
-
if you use Pinterest please consider pinning the tutorial so other people can find it too.
I'll look forward to hearing from you and seeing any pages you might make after reading through the steps again!
Julie :-)
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Supplies:
Supplies available from 3DJean [I'm a Design Team member for the 3DJean blog]
Other supplies:
Daler Rowney Gel Glaze Medium - Matt
Inkssentials Cut N Dry foam
Ranger Archival Ink - Viridian
Hero Arts Neon ink - Green
American Crafts 'Amy Tangerine - Ready, Set, Go' roller date stamp
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